I just tested out the new OpenArt "Director" tool, and as always, it’s absolutely brilliant. Imagine writing a short script and having it generate a full film or commercial of whatever length you want. This is just a small teaser of the film; stay tuned for the full story coming soon.
When Alice and Jasmine took on Issues by Julia Michaels on The Voice Kids, they turned a deeply personal song into a powerful duet.
Instead of competing for the spotlight, the two young singers focused on blending their voices, creating a performance filled with emotion, balance, and maturity beyond their years. Alice’s soft control paired perfectly with Jasmine’s powerful delivery, making every lyric feel genuine and heartfelt.
My take on a dark version of Romeo & Juliet reimagined as a movie trailer.🌹🖤
Built using @openart_ai Director with the “Just Make It” mode, starting from four reference images and a simple vision. The tool handled everything else: narration, music, captions, and cinematic flow.
The tool seems to offer an incredible experience, even for someone like me who isn’t particularly familiar with video creation.
A special thanks to the @openart_ai team for granting me early access to OpenArt Director before its official release. It was a pleasure to explore and experiment with this amazing tool.
Let me know what you think and if you’d like to see more experiments like this🫶🏻❤️
I have divided Episode 2 into 3 parts to better fit the reel format. The full episode will be released on YouTube asap! 🙌🏻 A couple of days... I hope you'll enjoy!! Let's go! 🧡⚡💛
𝗢𝗽𝗲𝗻𝗮𝗿𝘁 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿 🧡🎬🧡🎬
I have used the new Openart Director agent which has dramatically accelerated and improved my workflow! Super thrilled to have access to this. If you want early access I might have a couple of spots... So hit me up asap!! 👀
Serial : KF - 0385- H73
This production has been made possible thanks to @openart_ai X @openart.studios
I'm super excited to share this project with you boys and girls!
Just tried OpenArt Director Studio for the first time on @openart_ai.
Didn’t expect much at first, but it actually followed my rough idea really well.
I only dropped a simple prompt and a loose direction, yet it still came out looking cinematic and surprisingly polished. Feels like it understands the intent more than I thought.
Released in 2003 as the lead single from Meteora, Somewhere I Belong became one of Linkin Park’s most defining songs.
Built around themes of identity, isolation, and self-discovery, the track connected deeply with fans who saw their own struggles reflected in Chester Bennington’s vocals. Its haunting intro, explosive chorus, and emotional honesty helped make it a staple of the band’s live shows and one of the standout songs of the nu-metal era.
More than 20 years later, Somewhere I Belong remains a reminder of why Linkin Park’s music continues to resonate with millions around the world.
Using only an acoustic guitar and the rare technique of polyphonic whistling, the veteran Italian actor recreated the iconic theme from The Good, the Bad and the Ugly. By carefully controlling airflow and harmonics, he produced sounds that felt more like a full orchestra than a single performer, earning a standing ovation and millions of views around the world.
It was a powerful tribute to Ennio Morricone’s legendary soundtrack and a reminder that true musicianship can still leave an audience completely speechless.
Powered by @openart_ai
Breakdown :
• Scene (Clip Video) : Seedance 2.0
• Character + Storyboard : GPT image 2
• Music Background : Ai music generate by me
• Editing : @capcutapp
Rather than sing Human Nature, Mayer performed the song using only his guitar. He later explained that he felt nobody should try to replace Michael’s voice in that moment. Instead, he let the melody speak for itself, creating a tribute that felt intimate, respectful, and deeply emotional.
Sometimes the most powerful way to honor a legend isn’t by saying more—it’s by knowing when to say less.
🎬 OpenArt Director feature. Tested. Impressed. 🐾
30 seconds as a starter.
One prompt. One set of instructions. A 5-10 minute wait — and the consistency held the whole way through. 😐
That's the hard part most tools struggle with and this one didn't.
This has real potential for longer form content. 🎋
Well done OpenArt. Genuinely incredible feature. 🔥
I've been testing Director before launch, and the best way I can describe it is this:
It honestly feels like vibe directing.
For this test, I created a short Japanese drama called LOST SPRING two former lovers meeting again after ten years beneath the cherry blossoms of Tokyo.
What impressed me most is how everything happens through conversation. Story, characters, voices, scenes, and revisions are all shaped through chat.
You're not stitching clips together.
You're directing.
Or maybe... vibe directing.
Created with Director by @openart_ai
Episode 10 - Cool Cat and The Shadow District - The Golden Dragon
Vibe Directing, I keep calling this vibe directing because that's what it actually is.
Special Shout out to my husband Martin who wrote this Episode/ Directed by Wendy Martin Odea
#vibedirecting #coolcatcreations #episode9 #thegoldendragon
Tool I used to Direct This Video is OpenArt AI
30 seconds as a starter.
Two scene transitions added after.
Everything else built from one prompt with instructions and a 5-10 minute wait — and what came out the other side genuinely surprised us. 😐
One prompt holding consistency across multiple scenes for this long is not something we've seen work this cleanly before.
This has real potential for longer form content. 🎋
Well done OpenArt. Genuinely impressive feature. 🔥
